A note introducing Anselm Hollo's r...

A note introducing Anselm Hollo's regret Wilson Monday (La Alameda Pres 2000) explains that this series of sixty-six metrical compositions "received its title from French bard Guillaume Apollinaire's 1913 piece of poetry 'Lundi rue Christine,"' which Hollo describes as "a Cubist work compos almost entirely not at home of verbatim speech from various conversations in a cafe." Describing himself as continuing this tradition, Hollo asks us to read his metrical compositions as "similar conversations tak[ing] place in and around my head" during his stay at the inn Chevillon, "an artists' and